Society X

the Great Universe

Category: Television

The real Game of Thrones, part 1

by 5ocietyx

The TV series Game of Thrones has gained a huge following since it first aired in 2011. Set in a mythical land the tales of swords and treachery have struck a chord with a viewer-base hungry for stories which were once the domain of fantasy-fiction fanatics and Games Workshoppers, such as Tolkein’s Lord of the Rings.

Although the series is set in a mythical land, it’s obvious GoT creator George RR Martin has an interest in historical, and pre-historical tales, and its well known that he has taken some of the major plot-lines from real events, the war of the roses being an obvious one. Lets take a look at a few that viewers may not know about.

the seven kingdoms

The Number Seven.

Revered throughout time by every human group around the world the number seven is featured heavily in the series. ‘The Faith of the Seven is the principal religion of the Seven Kingdoms. It is little-practiced beyond its borders. The Faith of the Seven is dominant in the south of Westeros.’ But also in our world, the number seven is seen as special. it is a magical number and is associated with luck, the heavenly bodies (five visible planets plus the Sun and the Moon), the days of the week, and the menorah, the Jewish ritual candelabra; there are seven heavens and seven hells in the Islamic faith; there are said to be seven colours in the rainbow and there are over 700 mentions of the number seven in the Bible. So not only is it implicit in the religious stories of Westeros, its also an integral part of the human experience, even today.

the wall

The Wall, and the Wildlings beyond.

Of course, the Wall is a reference to Hadrian’s wall, in the North of England. Hadrian’s Wall (Latin: Vallum Aelium) was a defensive fortification in Roman Britain, begun in AD 122 during the rule of emperor Hadrian. In addition to its military role, gates through the wall served as customs posts.[1]

Although he was Roman emperor, Hadrian was in fact Spanish, and had the wall built for his Italian masters, presumably to protect their assets from the ‘uncivilised’ and unrulable Picti in Caledonia, modern-day Scotland. As well as the controlling Roman army, the wall was most likely manned by up to 10, 000 English slaves and criminals, much like the Wall in Game of Thrones. Later, the wall was manned by the toughest in the land, to help protect what was left of the country after its Roman masters left. This is more than likely the reason for the Geordies of the Newcastle having a reputation for being tough people, which still persists to this day.

Beyond the wall the Picti (and modern day Scots) were known for their red hair and ‘painted’ skin. The Latin word Pict has the same root as pixel or picture, so it may not be that these wildlings were painted with blue woad, as is popularly believed, but that they were overwhelmingly freckled, which could have caused the Mediterranean Romans to declare them ‘painted’ or ‘pixelated’.

Ygrette, Wildling archetype

Dothraki, horse-riders of the curved blade.

Like the Dothraki in Game of Thrones, the Scythians were a cultural group of equine-obsessed warriors, said to be born, to live and to die on the saddle. they were famed for their ability to fire arrows backwards from horse-back, using the scythian bow, and for their ferocious techniques in battle. Their name may have come from their use of scythes, as ‘according to Jack Herer and “Flesh of The Gods” (Emboden, W.A., Jr., Praeger Press, NY, 1974.); the ancient Scythians grew hemp and harvested it with a hand reaper that we still call a scythe.’

‘Their historical appearance coincided with the rise of equestrian semi-nomadism from the Carpathian Mountains of Europe to Mongolia in the Far East during the 1st millennium BC.[4][5] The “classical Scythians” known to ancient Greek historians were located in the northern Black Sea and fore-Caucasus region.’

The Dacians were neighbours to the Scythians, who also rode horse-back and were fames for their skill in battle. the Dacians also carried the curved blade like the Dothraki. this blade, known as a sica was used with devastating effect by the Dacians, much like the Dothraki.

a sica blade

TO BE CONTINUED…

 

taken from –

http://gameofthrones.wikia.com/wiki/Faith_of_the_Seven

http://en.wikipedia.org/wiki/Hadrian’s_Wall

http://en.wikipedia.org/wiki/Scythians

http://en.wikipedia.org/wiki/Sica

http://en.wikipedia.org/wiki/Dacia

BBC News and Weather: The scrying pool and the crystal ball

by 5ocietyx

scrying-pool

Media institutions such as the state broadcaster, the BBC, pride themselves on certain principles such as rationality and material science, or at least this is the pretence they want to emit.  Strange then, that they appear to be suggesting the news-readers virtually empty desk is some kind of ‘scrying pool’ thus in the subconscious of the viewers giving them perhaps an undeserved reverence deeply engrained into the group memory?

BBC_weather_logo

Weather forecasting has long been a blend of material science and ‘witchcraft’ and to illustrate this point the BBC Weather logo is a crystal ball.

The scrying pool and the shew-stone  are set against the backdrop of 3D weather maps and a hive of hi-tech wizardry in the seemingly hyper-rational, paranormal-sceptical and sterile atmosphere of the newsroom. With the prominent display in the foreground of  these ancient and magical information gathering tools that granted access to a medieval ether-net what are they trying to tell us? Are they clues to the origins of the  modern media?

There are some who say the word ‘media’ originates from the Medes who dwelt in the land of Media in present day Iran. An Aryan people that included the Magi tribe, they were renowned for miles around for their knowledge of astrology and ‘sorcery’ and were consulted as divining oracles and soothsayers.

BBC Newsroom

BBC Newsroom, London

bbc-newsroom

BBC Newsroom, London

2 sets of twin pillars resonate with 1111 and the twin spiral staircases with phi, the double helix and twin magnetic currents.

The-Hoop

The Hoop: one ring to bind them?

Merovee has coined a phrase to describe the BBC Newsroom that recently underwent a lavish £2bn revamp at Brainwashing House that was opened by the Queen. He terms it the ‘Holodeck’ in reference to Star-Trek.

BBC London

A hexagonal bank of desks is the main feature of the floorspace with more banks fanning out of it is possibly a reference to Saturn. The Hoop, or ring, hovers above the hexagonal arrangement.

BBC Newsroom

A giant ‘halo’ is mounted above the ‘scrying pool’ too.

With paedo-magickians such as Jimmy Savile fronting public information campaigns and hosting prime-time television shows for the Beeb and ‘M’ presenting gardening programming whilst controlling MI6 who is to say what else occurs in Brainwashing House? For all we know a green-skinned oracle isn’t hidden away somewhere cackling into a genuine scrying pool to glean the day’s news and forecast the weather too while she is at it doubling up the scrying pool as a cauldron and relaying her findings into the news-feeds before they are processed by the equivalent of the Political Warfare Executive and regurgitated by the news-readers?

At this stage it is hard to put anything past the BBC. Which in some ways seems a shame but maybe that’s the programming?

BBC-Newsroom

 

UPDATE: Check out our new film ‘Was Jimmy Savile a Wizard?’

“The Black Book”: Technical Description of the Marconi-E. M. I. System of Television

by 5ocietyx

black-book-EMI-Marconi

Does this nondescript black book hold the secrets of how television is used to control the minds of viewers world-wide?

“The Black Book”, 1937-1950, including revision pages, No. 119, issued to W. J. Pearce, with 1-12 tab pages, index, preface amendment sheets, pull-out circuit diagram charts, progress and testing tables through sums, definitive explanations from transmission modules to receiving apparatus.

black-book-EMI-Marconi
black-book-EMI-Marconi
S
ource:
http://www.bonhams.com/auctions/17616/lot/756/

#OpBBC engaged: infowars.bbc.gov.uk: Political Warfare Executive

by 5ocietyx

George Orwell at the BBC

George Orwell @ the BBC (note the black hexagon)

During World War II, the Political Warfare Executive (PWE) was a British clandestine body created to produce and disseminate both white and black propaganda, with the aim of damaging enemy morale and sustaining the morale of the Occupied countries.

The Executive was formed in August 1941, reporting to the Foreign Office. The staff came mostly from SO1, which had been until then the propaganda arm of the Special Operations Executive. The organisation was governed by a committee initially comprising among others Anthony Eden (Foreign Secretary), Brendan Bracken (Minister of Information) and Hugh Dalton (Minister of Economic Warfare) (they were more forthright in those days).

PWE included staff from the Ministry of Information, the propaganda elements of the Special Operations Executive, and from the BBC. Its main headquarters was at Woburn Abbey with London offices at the BBC’s Bush House. As the Political Warfare Executive was a secret department when dealing with the outside world PWE used the cover-name ‘Political Intelligence Department’ (PID).

After D-Day most of PWE’s white propaganda staff transferred to the Psychological Warfare Division (PWD/SHAEF) of SHAEF.

At the end of World War II PWE were tasked with the re-education of German Prisoners of War. As with different types of propaganda, PWE used the same ‘white’, ‘grey’, and ‘black’ classifications for German POWs. Prisoners classed as ‘black’ were considered dangerous ardent Nazis, with anti-Nazis classed as ‘white’ and regular non-political soldiers classed as ‘grey’.

Hacking terms such as white-hats, black-hats and grey-hats use the same classification system even if the terminology has been turned on its head in our Orwellian existence where black is white and white is black. Aaron Barr of HBGary infamy is an example of this.

Sir Hugh Carleton Greene was a British journalist and television executive. He was the Director-General of the BBC from 1960―1969, and is generally credited with modernising an organisation that had fallen behind in the wake of the launch of ITV in 1955.

From 1941, Greene also helped to smooth the relationship between the BBC and the PWE whose goals were somewhat at odds (the BBC strove for accurate, unbiased journalism whereas the PWE was largely concerned with propaganda).

Bush House

In his novel 1984, Orwell named Room 101 after a conference room at Bush House where he used to sit through tedious meetings. When one of the possible original room 101s at the BBC was due to be demolished, a plaster cast was made by artist Rachel Whiteread for posterity.

Orwell worked in Bush House between 1941 and 1943 and the building is said to have given him the idea, when writing 1984, both for the nightmarish Room 101 and the almost equally awful canteen at the Ministry of Truth.

Bush House was used by many celebrities, including Sir Paul McCartney, for his broadcasts to Russia. This was Britain’s mouth-piece to the world.

As with most if not all  institutions, the BBC has elements of good and bad. Honest journalists and even writers of the calibre of Orwell were up against and compromised by agents of the Political Warfare Executive which says it all really.

Truth is the first casualty of war and in a time of universal deceit telling the truth is a revolutionary act..

The World Service vacated the premises in the summer of 2012.

Anonymous message to the BBC

Anonymous message to the BBC

Sources:
http://en.wikipedia.org/wiki/Political_Warfare_Executive
http://clutch.open.ac.uk/schools/emerson00/pwe_1.html
http://www.bbc.co.uk/archive/orwell

#OpBBC

by 5ocietyx

Anonymous message to the BBC

Anonymous message to the BBC

With #OpBBC planned for 1st June 2013 to bring to the attention of the executive, staff and members of the public concerns regarding paedophilia and the grooming of children, the TV tax, tax dodging, the dissemination of truth and a range of other issues it is worthwhile trying to understand the legacy applications and the dynamics at play within the state broadcaster that currently prevent transparency and to have an open dialogue about the BBC’s place in the 21st century and internet age.

We shouldn’t let Savile and others legacy be the dismantling of the BBC as it is as British as a cup of tea and produces world-class natural history programmes, sporting coverage and documentaries and without incessant advertising and other forms of commercialism. But it is compromised by other factors, mainly state control and groupthink.

We need to understand how the BBC works and forensically examine where the blockages to transparency are occurring and rectify it.

As paying customers it shouldn’t really be the job of protesters to ensure we aren’t handing over hard cash only to be lied to and to have twisted wizards groom us from childhood and illusionists try to sabotage our minds through the Eastenders program-me, the CBeebies program-me, the 6 O’Clock News program-me, the Newsnight program-me, the Question Time program-me and of course the Jim’ll Fix-it programming.

One suggestion would be to transform the Programme to the Program. Television is a medium where you just sit back and passively soak up an illusion of reality induced into an alpha wave state of mind as your brain mistakes pixels for atoms and compression ratios and algorithms for form and movement.

The programming is already breaking down. Where once there was a solitary television channel now there are millions. Where once everyone had to watch a certain programme at a certain time – now you can view at your convenience. Where once you were trapped in your living room or bedroom – now you can watch anywhere you like.

What we really mean though by ‘reprogramming the programme’ is for the public – interested groups and individuals to collaborate with the BBC to create software tools and frame-works that make it more difficult for any hidden agenda to twist the truth.  The BBC should also look to involving citizen journalists and hyper-local news to provide a broader picture of what is happening in the world. This should not be seen as a vast transitory slave workforce to be exploited however.

This will look a lot different from stage-shows like the QT programming where questions as well as answers are carefully scripted, the same panellists appear again and again and audience members are hand-picked.

Imagine a feature for example whereby in real-time every utterance from the talking heads that appear on debate shows and news programming was checked and verified against trusted data-sets that could indicate when they are lying?

The BBC should work with the public in making its vast archives freely accessible, searchable and shareable thus enriching the commons. This would also act as a distributed archiving solution that would help to ensure material is not lost forever by single points of failure.

Whilst we have concerns as to elements and policies within the management of the Beeb we are also in no doubt there are hundreds of honest creative people who are already thinking about or even working on similar minded projects within the corporation or in their own time. It would be informative to hear what they have to say.

If we don’t program then we will be programmed at will by the hypnotist that skulks in the corner of the living room. This is why they call it program me.

We don’t really want to hear your agenda-based opinion on the news we just want the facts. We don’t really want you to decide what is news in the first place as we think censorship should be censored. Data is King, let it speak instead.

program (n.)
1630s, “public notice,” from L.L. programma “proclamation, edict,” from Gk. programma (gen. programmatos) “a written public notice,” from stem of prographein “to write publicly,” from pro- “forth” (see pro-) + graphein “to write” (see -graphy).

General sense of “a definite plan or scheme” is recorded from 1837. Meaning “list of pieces at a concert, playbill” first recorded 1805 and retains the original sense. That of “objects or events suggested by music” is from 1854. Sense of “broadcasting presentation” is from 1923. Computer sense (noun and verb) is from 1945. Spelling programme, sometimes preferred in Britain, is from French and began to be used early 19c.

So by its origin all software should be open source.

The BBC should still be a people-powered institution, just tempered by incorruptible and transparent software protocols that the people whether they be British or our brothers and sisters around the world can call upon in times of need when their voices need to be heard and cause for truth and justice defended.

We need to ensure the opposite is not the case where the all-powerful state uses it to spread lies, to censor dissent, to fiddle with our kids and to mind control us all.

Some suggestions for reformation of the BBC

To stop competing with commercial channels in light entertainment – talent shows, reality tv, Monarch programming etc
To rediscover principles of public service
To give the license fee payer more of a say in how the institution is run by appointing members of the public onto the Trust or abolishing the Trust altogether for a more socially equitable mixture of people
To trim down executive salaries to more realistic levels of remuneration. The more you pay someone, the less they think they have to do especially when supping from the teat of the tax-funded sacred cash-cow of neverending milk and honey
To make their tax structure more equitable and in keeping with their own rhetoric
To open the archives for forensic examination by the public
For the EU funding to be forbidden by contract. Why should their millions, which is really our millions, outstrip the billions the British public hand over in the expectation we will get unbiased news coverage and not propaganda from a Vassal of an imploding federalist super-state?
To explore other revenue generators and cost savings with the mind to cut or abolish altogether the TV tax

m@bbc.co.uk

by 5ocietyx

M James Bond

Charles Henry Maxwell Knight OBE, known as Maxwell Knight, (b. Mitcham, Surrey, 4 September 1900 – 27 January 1968) was an English spymaster, naturalist and broadcaster, whilst reputedly being a model for the James Bond character M.

After World War II, in 1946, Knight, who had since childhood been an ardent naturalist, began what was to become a successful broadcasting career on BBC radio, appearing in and hosting such programmes as NaturalistCountry Questions and Nature Parliament. He appeared occasionally on television in Peter Scott’s Look and Animal, Vegetable or Mineral and published 34 books and wrote magazine articles. His broadcast career progressed alongside his MI5 work until 1956 when he retired early, from MI5, on the grounds of ill health, suffering from angina. He died in Midgham, Berkshire from heart failure in 1968.

Source:
Declassified report on Wikipedia – http://en.wikipedia.org/wiki/Maxwell_Knight

Clarion call to the British Order of the Jedi

by 5ocietyx

Jedi High Council

Jedi High Council

It has come to our attention that the number of sentient life-forms in Britain who describe themselves as a follower of the Jedi religion has reached 180,000.

With the economy in ruins, the government planning for civil unrest, trusted celebrities unmasked as goblins, and seemingly every department of state shown to be corrupt we call upon the British Order of the Jedi to stop the petty bickering with the BBC’s Dr Who fans and concentrate your efforts towards the real enemies of the land that reside within the British Brainwashing Contraption.

Help us brothers and sisters, noble Jedi of Britain in your countries hour of need. You could be our only hope.  We humbly call upon all Jedi Knights in the land who hear this plea to join us on 1st June, Portland Place, London to counter the mind control apparatus beaming propaganda far and wide and listing it as news, dressing up grotesque paedophilia as art with which to adorn their tempestuous Broadcasting House facility.

An operation to culture jam the transmissions emanating from this central London mind control facility using the force, telepathy, orgonite crystals and peaceful, non obtrusive awareness so as to neutralise the effect of this sub-station of state control and manipulation of the mass mind and gather preliminary intel on what is essentially a mission of diplomacy albeit thinly veiled.

This message arrives with a word of caution. It is estimated that it will optimally require 1028 Jedi Knights to join Anonymous @ #OpBBC and form a telepathic cone of power focused on the broadcast tower on the roof and Jimmy Fixit sculpture idol above the en-trance to Broadcasting House with which to alter the base frequencies that hold together the construct of deceit to then allow the truth vibrations to flow into the building like a breathe of fresh meadow air and influence its energy signature, culture, atmosphere and mindset for the better and free them from the charms of the youth idol worshipping peadocracy and their  death cult of Saturn.

It has been noted and documented in the recently released 5ociety X film – Was Jimmy Savile a Wizard? that your legendary ancestor master Obi Wan Kenobi utilized ‘black magic’ by performing a ‘Jedi mind trick’ upon storm-troopers at the Mos Eisley space port. We have also noted that Jimmy Savile aka Saturn aka Darth Vader also used the same ‘Jedi mind trick’ at the beginning of episodes of the Jim’ll Fix It programming.

With this in mind, we advise all participating jedi to refrain from performing the ‘Jedi mind trick’ during the operation and instead call upon more restorative forms of jedi magic that can be decided upon yourselves as you see fit.

An example of this white magic realism would be to create alternative ethereal designs and thought-forms for works of art that could replace the child-abusing, animal loving Eric Gill’s handiwork.

This is why we have identified the Jedi Order as perfect for this operation as you can offer expertise in these areas of diplomacy and reconassance and consult telepathically the hive mind with your findings. Although this is a covert mission, we would suggest a dress code comprising full ceremonial robes to make your presence proudly known.

The BBC should also be aware that spies have already infiltrated their secretive organisation. There are undoubtedly Jedi  already employed within Broadcasting House just as there are undoubtedly anons, some that don’t yet know it, with official security passes, clearance and access to restricted files.

This is perfectly natural seeing as the BBC employs members of the Great British Public and required no planning by spymasters or strings pulled. They are us and it is time to make that known to them.

We are highly confident of the ultimate success of this mission as part of #OpBBC for we feel certain that the ineptitude of the bureaucratic managerial levels within the BBC will have neglected to properly vet employees  even if it was known to them they were recruiting jedi. This is because they think you are a joke. That you are not to be taken seriously. That you are nothing more than a hokey religion from a bygone age.

It is time to prove them wrong.

This complacency towards your noble order provides you with perfect cover to scope the BBC unmolested from the inside as well as outside. All eyes will be on Anonymous not to mention the P.E.L and attempts to hack into the transmissions providing a distraction.

The Palestinian Electronic Army recently commandeered the BBC Weather twitter feed illustrating how vulnerable the BBC is to compromise.

At the 5ociety we are sympathetic of those wishing to send a more direct message to the BBC especially with the obvious lulz that were generated by this particular hack but are mindful of the need to ultimately reform the BBC from the inside. If they stubbornly refuse the will of the people, their paymasters, and squirrel away output that we have paid for to cover their tracks then we will obviously need to re-evaluate our position.

The archives are going to be opened one way or the other so it is advisable for the BBC to do so in an orderly and equitable fashion rather than be hacked wide open for non-compliance with their patrons demands.

We know that many of you have already received this message telepathically and send our greetings, best wishes, love and lulz to one and all.

We are Legion

The Truth is Out There

May the Force be with You

Related Posts
The Tempest: Prospero, Ariel, Gill and the BBC…and Anonymous

The Tempest: Prospero, Ariel, Gill and the BBC…and Anonymous

by 5ocietyx

BBC test screen

According to the Daily Mail, a BBC spokesperson said:

“The statue of Ariel and Prospero on the front of Broadcasting House stands as a metaphor for broadcasting, executed by one of the last century’s major British artists whose work has been widely displayed in leading UK museums and galleries.

“There are no plans to remove or replace the sculptures at the front of Broadcasting House.

Despite everything that has happened since the BBC’s number one asset, Jimmy Savile, was exposed as Britain’s most notorious peadophile the corporation remains unrepentant of its use of child abusers to host children’s television programmes and its use of paedophiles to decorate its flagship building.

(Broadcasting House was modelled on the ship the King of Naples was aboard before Prospero conjured a tempest from his island which caused a shipwreck.)

Ariel and Prospero

Ariel and Prospero, Broadcasting House

According to the BBC, a naked boy submissively leaning into the raised leg of a wizard is simply a metaphor for broadcasting. According to the BBC,  Eric Gill was a major British artist rather than an incestuous bestiality practitioner. He was both, of course,  but the BBC ‘spokesperson’ completely ignores the background context of the artist despite the ‘inappropriateness’ to use a word the BBC are fond of.

If the Ariel and Prospero statue is about broadcasting, what are we to make of ‘Ariel piping to the children’ another Gill creation adorning the inside of Broadcasting House which features a naked pied piper playing his phallus-pipe in a sea of children?

Ariel piping to the childen

Ariel piping to the childen

It would appear that this piece of work also represents broadcasting.

Like the wizard standing over the en-trance brandishing his little sex-slave like a trophy, we also see Savile in not only the pied piper which represents Pan but The Sower character too which represents Saturn.

Perhaps the BBC can convince us otherwise?

The-Sower-Eric-Gill

The Sower, Eric Gill represents broadcasting according to Beeb.

That the art of a paedophile that happens to feature the pied piper and a wizard as well as naked children in suggestive poses was not at all influenced by the artist’s personal preferences and the culture of the corporation as a whole.

The BBC approved Gill at the time and hold the same policy now. They obviously share his tastes, otherwise why would they have commissioned him?

Jimmy Savile in wizard's gown

Jimmy Savile in wizard’s gown

The Sower is a metaphor for the military grade psychological operation that is ‘Children’s Hour’.

One of many mind control devices used by the BBC is ‘political correctness’. But politically correct for whom? The mind benders of the Frankfurt School or the customs of the British public? They have habitually used this tool to silence opposition to the deviant agenda they are pushing.  Whilst they have forced people to watch what they say in case it upsets their sensibilities it would appear they allowed their *stars* to go hog wild behaving like Caligula even on their premises and are operating on an altogether different set of values than the millions who subsidize their indulgences through a tax on television set ownership.

BBC logo

BBC logo, black cubes of Saturn?

In the future when English civilisation has gone the way of the Greeks and Romans, assisted by the BBC’s promotion of the EU, paedophilia and multiculturalism, tourists will survey the ruins of London and all that will be left would be a collection of bizarre statues of wizards, nymphs, war-lords, dragons, warriors on horseback, goddesses in chariots, naked men with lions on chains, and of course there will be the statue of ‘Ariel’ and ‘Prospero’.

And the future tourists will take one look at the naked boy and bearded wizard and they will know the dark heart of #peadobritain and see it for what it was. They may even confuse the statue as an out and out memorial to Savile such was the hedonistic exhibitionism of the cult of celebrity and ruling elites of Britannia at the time.

They may even glance at the official NWO guide-book and read that this particular statue symbolised broadcasting.  And in an ironic way the BBC  ‘spokesperson’ is being quite candid. The wizard, the pied piper and the sower surrounded by innocent children, some naked, do indeed symbolise the British Broadcasting Corporation quite eloquently.

#OpBBC engaged.

Meaning of the name ‘Nickelodeon’

by 5ocietyx

Nickelodeon logo

Nickelodeon or simply ‘Nick’ is an American cable and satellite television network that is operated by the MTV Networks Kids & Family Group unit of Viacom.

Its programming is directed at pre-teens, teenagers and infants.

‘Nickel’ means ‘devil’ in German. Odeons were Greek theatres where poets and musicians submitted work and contended for prizes.

Nickelodeon: ‘The Devil’s Theatre’.

Nicholas
masc. proper name, from Gk. Nikholaos, lit. “victory-people,” from nike “victory” + laos “people.” The saint (obit. 326 C.E.) was a bishop of Myra in Lycia, patron of scholars, especially schoolboys.

Saint Nicholas of Myra, ‘Old Nick’ became Santa Claus, that is  Saturn of Saturnalia which was celebrated around the same time as Christmas.

A 5ociety X film: Was Jimmy Savile a Wizard?

by 5ocietyx

For the past few weeks we have been working round the clock to produce our first film entitled ‘Was Jimmy Savile a Wizard?’.  The film expands upon our original post from October 2012 entitled ‘Jimmy Savile: Illuminati Wizard?’, which still generates substantial interest in the blogosphere.

Since then, our research findings have led us to speculate that Savile was a practitioner of a Crowleyite form of magic, that some may call Satanic, but which others call Saturnic. And to some extent the two terms are interchangeable.

We decided to approach the project in a satirical way for several reasons:

1. The subject matter is by its nature dark so light relief is essential to remain sane and balanced whilst researching such material.

2. If the content is too gruesome and serious then people just switch off. We hope by reaching a wider audience we can tap into the mainstream and plant some seeds.

3. The subject matter sounds so fantastic that the only way to represent such a hypothesis is with the tongue firmly in cheek yet remaining free to speculate based on where data points lead.

4. Comedy remains the only medium to express hidden truths.

5. To laugh at ourselves and our own reading of what is without a doubt a highly bizarre turn of events with many questions remaining unanswered. For example, if someone had told you 2 years ago that Jimmy Savile would be outed as the country’s worst paedophile, you too would have simply laughed.

We hope you enjoy the world premiere of our inaugural video production Was Jimmy Savile a Wizard?, and we welcome your feedback, reporting of bugs and errors and requests for new features during this beta phase.

5ociety X The Great Universe.

 

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