Society X

the Great Universe

Ata the 6 inch tall humanoid

Ata

Ata the 6 inch humanoid takes his name from the Atacama Desert.  He was discovered by Oscar Munoz in 2003 in a ghost-town.  He literally ended up in the hands of  businessman Ramón Navia-Osorio.  Since then, the film-makers of Sirius promoted the idea that Ata was alien in origin.

However, in 2013 scientists from Stanford University shatterered UFO buffs hopes by announcing a DNA test confirmed he was human.

Far from resolving the mystery however it only deepens and perhaps makes us question whether fairy-tales we were told as children may contain more truth than we imagined.

Tom Thumb
Tom Thumb is a character of English folklore. The History of Tom Thumb was published in 1621, and was the first fairy tale printed in English. Tom is no bigger than his father’s thumb, and his adventures include being swallowed by a cow, tangling with giants,  and becoming a favourite of King Arthur. The earliest allusions to Tom occur in various 16th century works such as Reginald Scot’s Discovery of Witchcraft (1584) where Tom is cited as one of the supernatural folk employed by servant maids to frighten children.

Stories of elves, pixies, gnomes, and all manner of sprightly creatures have been handed down to us by our ancestors. So too have accounts of giants and other supposedly mythical creatures.

What else is being hidden away in the dusty vaults of the prestigious museums and universities because their very existence presents a disruptive nightmare to the cobweb of  lies woven over centuries by the gatekeepers of all our histories?

Ata

Sources:
http://en.wikipedia.org/wiki/Tom_Thumb

http://en.wikipedia.org/wiki/Atacama_skeleton

 

 

Elfin Oak and the little people

Elfin-Oak

The Elfin Oak is a 900-year-old tree stump in Kensington Gardens in London, carved and painted to look as though elves, gnomes and small animals are living in its bark.

The hollow log originally came from Richmond Park, and was moved to Kensington Gardens in 1928 as part of George Lansbury’s scheme of public improvements in London. Over the next two years the illustrator Ivor Innes carved the figures of the “Little People” into it. These included Wookey the witch, with her three jars of health, wealth and happiness, Huckleberry the gnome, carrying a bag of berries up the Gnomes’ Stairway to the banquet within Bark Hall, and Grumples and Groodles the Elves being awakened by Brownie, Dinkie, Rumplelocks and Hereandthere stealing eggs from the crows’ nest.

The inside cover of Pink Floyd’s 1969 album Ummagumma features a picture of David Gilmour in front of the Elfin Oak.

Elfin-oak

Elfin-oak1

 

Elfin-tree

Source: http://en.wikipedia.org/wiki/Elfin_Oak

Falstaff of Brentford

John-Lowin

The Three Pigeons was once a bustling tavern that used to grace the south-west corner of the Brentford Market Place. In its heyday in the 17th and 18th century, when Brentford was a busy market and resort town, it was a coaching inn, which could stable up to one hundred horses. It sadly closed in 1916.

There is an etching of The Three Pigeons done in 1848 which gives some idea of the Inn.

Fortunately for us, its reputation for entertainment has been captured and preserved in many references to it in literature. I have been uncovering a few, which build a picture of a lively and attractive place and a source of material for writers.

But first let me introduce a great Shakespearean actor who was the landlord of The Three Pigeons, John Lowin, and appropriately enough his great role was Falstaff.

John Lowin was an actor who became the innkeeper of The Three Pigeons Inn, and died there in 1659. With Shakespeare, he was a member of the King’s Men theatre company, well remembered for his Falstaff role. An article on “Falstaffs, Past and Present” in the New York Times (1894):

“The original Falstaff is said to have been John Heminges, but Davies in his “Dramatic Miscellanies” disputes this, and gives the honour to William Lowin. Lowin played the part for forty years, until the Long Parliament made the giving of “stage plays and interludes” a crime. Then Lowin opened a public house at Brentford, called The Three Pigeons, and here he had as a companion Joseph Taylor, said to have beeen the original Hamlet. Lowin and Taylor led a precarious life, only brightened now and then by a few members of royalty and several commoners, who apprecaites the drama, and patronised The Three Pigeons to hear Lowin and Taylor recite Falstaff and Hamlet.”

In “Shakespeare and the Modern Stage with Other Essays” (1907) Sidney Lee refers to Lowin and Taylor’s time at Brentford:

Of the twenty-five actors who are enumerated in a preliminary page of the great First Folio, as filling in Shakespeare’s lifetime chief roles in his plays, few survived him long. All of them came in personal contact with him; several of them constantly appeared with him on the stage from early days.

The two who were longest lived, John Lowin and Joseph Taylor, came at length to bear a great weight of years. They were both Shakespeare’s juniors, Lowin by twelve years, and Taylor by twenty; but both established their reputation before middle age. Lowin at twenty-seven took part with Shakespeare in the first representation of Ben Jonson’s “Sejanus” in 1603. He was an early, if not the first, interpreter of the character of Falstaff. Taylor as understudy to the great actor Burbage, a very close ally of Shakespeare, seems to have achieved some success in the part of Hamlet, and to have been applauded in the role of Iago, while the dramatist yet lived. When the dramatist died in 1616, Lowin was forty, and Taylor over thirty.

Subsequently, as their senior colleagues one by one passed from the world, these two actors assumed first rank in their company, and before the ruin in which the Civil War involved all theatrical enterprise, they were acknowledged to stand at the head of their profession. Taylor lived through the Commonwealth, and Lowin far into the reign of Charles the Second, ultimately reaching his eighty-third year. Their last days were passed in indigence, and Lowin when an octogenarian was reduced to keeping the inn of the Three Pigeons, at Brentford.”

I have not found any evidence for Shakespeare having visited the Three Pigeons, but it would be magical if Shakespeare had thought up the character of the Old Woman of Brentford in The Merry Wives of Windsor, from a visit to the Three Pigeons!

Source:
http://www.brentforddockresidents.co.uk/artthreepigeons.php

DNA drip-feeds truth about our origins

warrior archetype

According to a new paper recently published ‘The modern European gene pool was formed when three ancient populations mixed within the last 7,000 years, Nature journal reports.’

Although hinting at a hybrid-origin, the following article is essentially a mix of speculation, biased data analysis and wishful thinking, along with a healthy dose of contradiction in order to cover up the BS.

new map of old europe

So where did fair pigmentation in present-day Europeans come from? The farmer seems to be on her way there, carrying a gene variant for light skin that’s still around today.

“There’s an evolutionary argument about this – that light skin in Europe is biologically advantageous for people who farm, because you need to make vitamin D,” said David Reich.’

‘”It really does look like the indigenous West European hunter gatherers had this striking combination of dark skin and blue eyes that doesn’t exist any more,” Prof Reich told BBC News.’

Although we do not have the credentials to write a paper on it, the idea of blue-eyed people being both dark skinned and dark haired seems like a contradiction to the genetic data, which, for the last half a century has concluded that blue eyes, blonde hair and fair skin are all recessive alleles, that is, they are not dominant when mixed with dark hair, dark skin and brown eyes. For the recessive traits to be positively selected suggests the selection occurred over tens of thousands of years, and not just thousands. And where were these farmers farming? In the North Pole? At night? Because if the sun was anything like it is now, a farmer with pale skin would burn in the sun, dark skin being much more preferable to farming than the pale skin of modern Europeans. Besides, pale skin also has the ability to take on a tan, which suggests its origin may lay in a somewhat milder climate than Africa – or the Middle-East – can ever offer. For if the climate was similar all year round then pale skin would have been selected out, and all Europeans would be dark. So the origin of pale skin cant be Africa, and its probably not even Europe, it must be somewhere where the sun is not strong all year round, but is strong enough at some times of the year for a tan to be evolutionarily selected.

Yet another example of the apologist ‘Out of Africa’ theory being pushed by the cultural Marxists and their anthropological propagandists waging a secret war on all of our ancestors.

The 5ociety will continue to monitor the purposeful destruction of humanity.

For an alternative theory on the origin of white skin see our piece on Neoteny. There are other traits that arrived with modern humans which are more prominent or developed in Caucasians, which also hint at the enigmatic origin of this controversial skin-tone, please see this piece for more information Early Humans kept their chin up.

 

taken from -

http://www.bbc.co.uk/news/science-environment-29213892

http://evoandproud.blogspot.co.uk/2010/04/puzzle-of-european-hair-and-eye-color.html

The real Game of Thrones, part 1

The TV series Game of Thrones has gained a huge following since it first aired in 2011. Set in a mythical land the tales of swords and treachery have struck a chord with a viewer-base hungry for stories which were once the domain of fantasy-fiction fanatics and Games Workshoppers, such as Tolkein’s Lord of the Rings.

Although the series is set in a mythical land, it’s obvious GoT creator George RR Martin has an interest in historical, and pre-historical tales, and its well known that he has taken some of the major plot-lines from real events, the war of the roses being an obvious one. Lets take a look at a few that viewers may not know about.

the seven kingdoms

The Number Seven.

Revered throughout time by every human group around the world the number seven is featured heavily in the series. ‘The Faith of the Seven is the principal religion of the Seven Kingdoms. It is little-practiced beyond its borders. The Faith of the Seven is dominant in the south of Westeros.’ But also in our world, the number seven is seen as special. it is a magical number and is associated with luck, the heavenly bodies (five visible planets plus the Sun and the Moon), the days of the week, and the menorah, the Jewish ritual candelabra; there are seven heavens and seven hells in the Islamic faith; there are said to be seven colours in the rainbow and there are over 700 mentions of the number seven in the Bible. So not only is it implicit in the religious stories of Westeros, its also an integral part of the human experience, even today.

the wall

The Wall, and the Wildlings beyond.

Of course, the Wall is a reference to Hadrian’s wall, in the North of England. Hadrian’s Wall (Latin: Vallum Aelium) was a defensive fortification in Roman Britain, begun in AD 122 during the rule of emperor Hadrian. In addition to its military role, gates through the wall served as customs posts.[1]

Although he was Roman emperor, Hadrian was in fact Spanish, and had the wall built for his Italian masters, presumably to protect their assets from the ‘uncivilised’ and unrulable Picti in Caledonia, modern-day Scotland. As well as the controlling Roman army, the wall was most likely manned by up to 10, 000 English slaves and criminals, much like the Wall in Game of Thrones. Later, the wall was manned by the toughest in the land, to help protect what was left of the country after its Roman masters left. This is more than likely the reason for the Geordies of the Newcastle having a reputation for being tough people, which still persists to this day.

Beyond the wall the Picti (and modern day Scots) were known for their red hair and ‘painted’ skin. The Latin word Pict has the same root as pixel or picture, so it may not be that these wildlings were painted with blue woad, as is popularly believed, but that they were overwhelmingly freckled, which could have caused the Mediterranean Romans to declare them ‘painted’ or ‘pixelated’.

Ygrette, Wildling archetype

Dothraki, horse-riders of the curved blade.

Like the Dothraki in Game of Thrones, the Scythians were a cultural group of equine-obsessed warriors, said to be born, to live and to die on the saddle. they were famed for their ability to fire arrows backwards from horse-back, using the scythian bow, and for their ferocious techniques in battle. Their name may have come from their use of scythes, as ‘according to Jack Herer and “Flesh of The Gods” (Emboden, W.A., Jr., Praeger Press, NY, 1974.); the ancient Scythians grew hemp and harvested it with a hand reaper that we still call a scythe.’

‘Their historical appearance coincided with the rise of equestrian semi-nomadism from the Carpathian Mountains of Europe to Mongolia in the Far East during the 1st millennium BC.[4][5] The “classical Scythians” known to ancient Greek historians were located in the northern Black Sea and fore-Caucasus region.’

The Dacians were neighbours to the Scythians, who also rode horse-back and were fames for their skill in battle. the Dacians also carried the curved blade like the Dothraki. this blade, known as a sica was used with devastating effect by the Dacians, much like the Dothraki.

a sica blade

TO BE CONTINUED…

 

taken from -

http://gameofthrones.wikia.com/wiki/Faith_of_the_Seven

http://en.wikipedia.org/wiki/Hadrian’s_Wall

http://en.wikipedia.org/wiki/Scythians

http://en.wikipedia.org/wiki/Sica

http://en.wikipedia.org/wiki/Dacia

The Slaving of the Giants

giant-humans-found-in-indiana-2 There are many reports of giants throughout history, both in religious texts such as the Bible and in folklore and myth, such as the story of Fionn MacCumhaill. Steven Quayle’s excellent log of all things giants GENESIS 6 GIANTS has many reports on the discovery of giant skeletons around the ancient world, ultimately suggesting these giants to be the Nephilim – the sons of God who fell upon the daughters of the Earth – in the book of Genesis.

18-giant-skeletons-found-giants-found-in-burial-mounds-near-lake-delavan-wisconsin-in-may-1912

a Wisconsin giant

In his extremely informative book Mutants: On the form, variety and errors of the human body, Armand Marie Leroi describes Aristotle’s observation of the effect that castration can have on an organism. “Nearly twenty-five centuries ago, while working on a remote Aegean island, Aristotle made an observation that was at once banal, beautiful and chilling.  ‘All animals,’ he wrote, ‘if operated on when they are young, become bigger and better looking their unmutilated fellows; if they be mutilated when full grown, they do not take on any increase of size… As a general  rule, mutilated animals grow to a greater length than the unmutilated.’ By ‘mutilation’ Aristotle meant castration. Hence the banality of his observation that merely repeated facts as well known to any fourth-century Greek farmer as to any modern one.. He had taken a barnyard commonplace, that gelded rams, stallion and cockerels are larger than intact animals..”

castrato-illo_2013257a

an 18th century castrato

Two types, one tall, one short.

If we refer to the fossil record we can find two types of human forms, Neanderthal and Cro-Magnon. Researcher and psychologist Stan Gooch provided us with a sober theory about human origins, that we are in fact a hybrid of these two forms of primitive man. The morphology of both of these types differed enough for us to say that they were two separate species, one was a lot smaller than modern humans, and one was taller. you could say that to Neanderthal Cro-Magnon would have resembled a giant, and Gooch actually proposed that the Bible (or similar religious texts) are the written record of Neanderthal’s meeting with Cro-Magnon, preserved by us, human beings, the rightful heirs to those two previous legacies.

Cro-Magnon vs Neanderthal

Fee Fi Fo Fum, I smell the blood of an Englishman.

In the Welsh origin story of Brutus, founder of the Britons, his party of emigrants upon landing encounter only giants on the isles, whom they then proceed to chase down, fight and totally destroy.  These giants are clearly remnants of a previous race, who at this time existed only in the most isolated peninsulas of the European continent. They numbered so few they were easily eradicated by man. As stated before, Cro-Magnon was taller than humans, and had occupied Europe before humans, supplanting European Neanderthal before him, so it stands to reason that some members of the relic species Cro-Magnon could still have existed at the fringes of civilisation. it should be noted here that the tallest humans on Earth are in Denmark, Northern Europe, where giant myths are heavily prevalent.

 

Domestication.

Domestication of animals is believed to have begun prior to 33,000BCE, with the dog. But it would be fair to say that domestication of another kind would have taken place before this time, on a species much easier to control – humans. Slavery is said to be as old as humanity, and its not too much of a stretch of the imagination to see the control system in place today – such as our laws, codes of conduct or morals – is nothing more than the domestication of humans. Incidentally, Gooch proposed the actual hybridization event occurred around 35,000 years ago, in the approximate time frame during which domestication of animals began.

Egyptian depiction of domestication

Now, back to the meat and veg, so to speak.

 

Castration.

The practice of castration has persisted for thousands of years, with both domestic animals and humans. Arab slave traders, by far the most prolific and ambitious slavers ever, traded many castrated boys. ‘The Calipha in Baghdad at the beginning of the 10th Century had 7,000 black eunuchs and 4,000 white eunuchs in his palace.”[129] The Arab slave trade typically dealt in the sale of castrated male slaves. Black boys at the age of eight to twelve had their scrotum and penis completely amputated. Around 9 out of 10 bled to death during the procedure, but the high price brought by eunuchs on the market made the practice profitable.’ Castration was also used by many nations after war, where they would castrate the remaining men and boys, rather than kill them, preferring to use them as slaves. it was used by royal families to sever the family lines of those families whom they had supplanted, or whom they wanted to extinguish.

Theon Greyjoy, the character in Game of Thrones represents a castrated royal family line, both as prisoner to the Starks (Ned being a fair lord), and House Bolton.

In theory..

Is it possible that modern humans – upon discovery and subjugation of the few remaining Cro-Magnon – enslaved the giant species, and castrated any young they found along the way? if this castration punishment was happening at the same time as domestication of animals (and modern man) then humans wouldnt have failed to notice that castration in the infant stage makes for a larger being. So were the extreme giants that are according to Steven Quayle found all over the world the first attempts to control/castrate the old giant bloodlines, and create slaves out of our tall ancestors? After all, an army of giants would be very useful for a new species intent on world domination, and the relatively few remains found today could be explained by the fact that castration would have meant certain, and almost sudden, extinction of the genetic line of giants.

 

Our next line of investigation will be to study the skull shapes of currently known giants to determine how closely related they are to Cro-Magnon skulls.

 

taken from -

 

http://en.wikipedia.org/wiki/Castration

Mutants: On the form, variety and errors of the human body, Armand Marie Leroi

The Commonwealth Games logo, the BBC, mnemonic circles and sigil magic

glasgow-2014-logo

In a theory put forward by John and Bonnie Mitchell it is suggested that the swirling graphics used as intermissions and opening titles on television programmes are actually ‘sigil majic’ being performed on the audience through the use of mnemonic circles.

The general idea is that mnemonic circles subconsciously access deeper parts of the viewers memory. The patterns that are created when they begin to swirl may also be spelling out sigils that summon demons. They also have a hypnotic effect that makes the viewer more suggestible, or so the theory goes. 

The logo for Glasgow 2014 appears to be another of these circles. So the BBC graphics
department must have been licking their lips when adding their techno-wizardry to the
production of the programming for the Games. 

All they needed to do was create the hypnotic twists and twirls to embed the subliminal messages at regular intervals throughout the programming. You can see more of these circles in the intro if you look carefully at the pattern in the aerial shot of the dome.  

Or is this being too cynical? Way too paranoid?

Would the BBC deliberately induce its audience into a hypnotic trance state so it can fire sigil magic at us through our tv screens when we have just innocently tuned in to watch the games?

Considering they employed master hypnotist and paedo-magickian Jimmy Savile for decades it does make you wonder. Incidentally, we have found evidence of these same mnemonics and blatant hypnotism masked as psychedelia being used in the earliest TOTP shows from 50 years ago with Savile even standing in front of one that resembles a black sun or chaos symbol in motion. 

See for yourself in this clip from the Commonwealth Games here on iPlayer (UK or UK proxy users only). Take note at the very start the pattern in the dome for instance. A better example is the logo that flashes onto the screen at regular intervals though.  . 

Viewers are advised that some scenes may include sigil magic and hypnotism. 

Update: Here is another classic example from the new Dr Who series intro. Note the same techniques are used whether the programming be drama, music, news or sports and covers the entire spectrum of the BBC mind control programme.

Mnemonic circles, bright flashes, countdowns, spirals, clocks and synchronized harmonics are all designed to hypnotize the viewer to more readily accept the programming.

Bieber and Bloom argue over handler role?

Orlando Bloom threw a punch at Justin Bieber in an altercation at the Ibizan elitist haunt ‘Cipriani’, allegedly over their relationships with lingerie model/sex-kitten Miranda Kerr.

Orlando Bloom split from Kerr (who has posed as Italian pornstar and presidential mind control model La Cicciolina) last year, and has since been seen out with former Disney employee and ex-girlfriend of Bieber, Selina Gomez.

Miranda Kerr as La Cicciolina

Orlando Bloom out with Selina Gomez at a recent event hosted by Chelsea Handler

Whilst other celebrities such as P Diddy, Paris HIlton and Lindsay Lohan looked on Bieber and Bloom’s altercation was unfortunately only caught on a very shaky cheap camera. presumably paparazzi don’t/aren’t allowed hang out in clubs such as the one where this incident occurred?

perhaps it should also be noted here that Justin Bieber went on to post and image on his instagram of Miranda Kerr, supported by a text ‘crown’. the image was subsequently removed by Bieber (or his people). Obviously a subliminal diss, what was he trying to say to Bloom?

we are all just play things to the pretender king Joffrey Bieber

 

to read a red top report of this event -

http://www.mirror.co.uk/3am/celebrity-news/orlando-bloom-justin-bieber-fight-3940497

 

Lady Gaga and the Pythian Temple of the Upper West Side

Gaga Pythian

The Pythian Temple is an historic Knights of Pythias building at 135 West 70th Street between Columbus Avenue and Broadway in the Lincoln Square neighborhood of Manhattan, New York City. It was built in 1927 to serve as a meeting place for the 120 Pythian lodges of New York City.

The Knights of Pythias is a fraternal organization. and secret society founded at Washington, DC, on 19 February 1864. FD Roosevelt was initiated during his presidency.

The Pythians departed the temple in 1958, leaving behind halberds, staffs, magic wands, coffins with skeletons, lanterns, thrones and Egyptian garb, The Times reported.

gaga-chair

This would become baby Gaga’s childhood home in this former secret society temple.

Christopher Gray, writing in the NY Times called it ‘an improbable cradle of rock music’. But he was not referring to the Gaga residence.

He was talking about the fact that Decca Records rented space from the Pythians to create a renowned recording studio.

In 1954, Bill Haley and His Comets recorded “Rock Around the Clock” there, and Buddy Holly, Sammy Davis Jr., Billie Holiday and others are also said to have used the studio.

All very strange..

Pythian Temple, New York

Pythian Temple, New York

Pythian Temple, New York

Pythian Temple, New York

Pythian Temple, New York

Pythian Temple, New York

Pythian Temple, New York

Pythian Temple, New York

Sources:
http://www.nytimes.com/2009/06/21/realestate/21scapes.html
http://www.celebritydetective.com/Celebrity_Homes_Lady-GaGa-house-profile.html

Early humans ‘kept their chin up’

 

Cro-Magnon skull

‘A new theory suggests that our male ancestors evolved beefy facial features as a defence against fist fights.

The bones most commonly broken in human punch-ups also gained the most strength in early “hominin” evolution.

A paper, published this week in the journal Biological Reviews, argues that the reinforcements evolved amid fighting over females and resources, suggesting that violence drove key evolutionary changes.

Prof David Carrier and his co-author, physician Dr Michael Morgan, propose that violent competition demanded the development of these facial fortifications: what they call the “protective buttressing hypothesis”.’

The article concentrated on the jawbone of modern humans, and early hominids, concluding that evolution favoured those with a stronger jaw to be our ancestors.

Batman

No mention that this very same idea was put forward by Stan Gooch many times in his numerous works, supported by ample evidence and solid research, but for some reason it was ignored, along with the rest of his ground-breaking ideas (see Personality and Evolution, for example).

Phrases such as ‘square-jawed’ and ‘take it on the chin’ he proposed, are references to the distinctive nature of the male chin. During a fight, fighters tend to swing for the jaw as it is a fairly easy way to knock someone out if done right, especially if the opponent has a ‘glass jaw’. We can also see the prominent jaw is a feature in many of our superheroes, the main one of course being Batman, whose mask protects every part of his face except his chin.

Stan Gooch also suggested that the male beard is an accompaniment to the prominent chin, augmenting it as such, in order to highlight and enlarge it. this could also be why we treat people with long beards more reverentially – perhaps the beard suggests to us (unconsciously) that they are to be feared or admired in some way, an  innate threat-aggression signal releaser from our distant past.

Charles Darwin

 

taken from -

http://www.bbc.co.uk/news/science-environment-27720617

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